Tuesday, September 28, 2010

The Engine

The Engine is the most romantic emblem of the last epoch. The defining character of its age, it encapsulated the rebelliousness and yearning for freedom that was caught, like a sparrow, in the bosom of young men. One wonders, in the Year of the Computer, where this rebelliousness and yearning has gone.

The engine's romance is stated succinctly by its power. There is a reason that inventors did not create a smooth-running, clean, and simple artifice, and that reason is that people like the noise. People like a heavy, complicated girth that roars, growls, and purrs threateningly. People like the spectacle of the sound. Push a button and it roars. The wall of sound is a monument to its pomp. It is unabashed. It is like a tiger who lacks the self-consciousness of his power. People are friends with this barrel-chested baritone with pistons festooned across his chest, clitter-clattering. Strap that to your back and hit it.

And here is the pie: when you are moving at a stellar speed, when you are tripping with ease and grace around elements and splitting the wind, the noise - the noise that is clattering and ricocheting off the blue arches of the sky - is in concert with your speed, part and parcel with your power. It is the mouth of the motion. The foot of the freedom. The stamp of the sprint.